Tasha Koontz

Soprano Tasha Koontz has lent her “accurate, powerful voice” (Broadway World) to a gallery of leading operatic ladies and has been recognized by Parterre Box for her “sumptuous, gleaming lyric instrument” and by Opera Wire for her “secure silvery high notes.”

In 2022-23 she returns to San Diego Opera to perform the roles of Nella in Gianni Schicchi and Suor Genovieffa in Suor Angelica. She also sings the role of Catrina in an orchestra workshop performance of El último sueño de Frida y Diego, written by Pulitzer Prize-winning playwright Nilo Cruz and Latin GRAMMY® Award-winning composer Gabriela Lena Frank. A company favorite, Koontz debuted with San Diego Opera as Annina in La Traviata in 2017, and subsequently performed the roles of Edith in Pirates of Penzance, Frasquita in Carmen and High Priestess in Aïda, and covered the role of Mimì in La Bohème. In their 2021 concert entitled, “One Amazing Night,” Koontz “wowed with a knockout performance” (San Diego Union Tribune).

In 2019, Koontz made her debut with the Chicago Symphony Orchestra to great acclaim, bringing her “fulsome, penetrating soprano voice” and “unflappable poise” (Chicago Sun Times) to the role of High Priestess in Verdi’s Aïda under the baton of Maestro Riccardo Muti. In 2022 Koontz will participate in a special masterclass with Maestro Muti, singing selections from Un Ballo in Maschera.

A frequent concert soloist, Koontz was slated to return to the La Jolla Symphony & Chorus in 2022 in Mahler’s Second “Resurrection” Symphony, where she had previously been seen as a soloist in Bach’s Cantata No. 106, Orff’s Carmina Burana, and Mahler’s Fourth Symphony. This engagement, along with her company debuts with Palomar Symphony Orchestra (Beethoven’s Symphony No. 9), North Coast Symphony Orchestra (“Songs and Dances,” Songs by Lewis Carroll), MiraCosta Symphony Orchestra (Corigliano’s Fern Hill) and the Oregon Music Festival (Orff’s Carmina Burana) have been postponed or cancelled due to the COVID-19 pandemic. Prior, she sang as soprano soloist in Mendelssohn’s A Midsummer Night’s Dream with the San Diego Symphony, Vivaldi’s Gloria with the San Diego Festival Chorus & Orchestra, and Barber’s Knoxville: Summer of 1915 with the California Chamber Orchestra. She has also performed Brahms’ Ein Deutches Requiem, Strauss’ Four Last Songs, Handel’s Messiah, Poulenc’s Gloria, Bach’s B minor Mass, and Fauré’sRequiem and has appeared with the Chicago Arts Orchestra, and orchestras of Newfoundland, Coeur d’Alene, Spokane and Northwestern University.

Additional roles and houses on Koontz’s résumé include Violetta in La Traviata and Mimì in La Bohème with Opera on the Avalon, Donna Anna in Don Giovanni with Bay View Music Festival, Erste Dame in Die Zauberflöte with Central City Opera, Alice Ford in Falstaff with Indiana University Opera Theater and with /kor/ Productions in Chicago, Countess Almaviva in The Marriage of Figaro with Northwestern University, and Woman 1 in Ricky Ian Gordon’s The Grapes of Wrath with Sugar Creek Opera. She also performed the role of Violetta in La Traviata in a production with the FF Collective, an organization Koontz co-founded in 2021 to create performance opportunities for women and artists from underrepresented communities in Southern California.

Ms. Koontz took first place in the Musical Merit Foundation Awards competition and the La Jolla Symphony & Chorus Young Artist Competition, second place in the Susan and Virginia Hawk Vocal Scholarship Competition, and was the recipient of an encouragement award in the Metropolitan Opera National Council Auditions Western Region. She was also chosen to compete in the semi-finals of the Belvedere Competition and was named a Finalist in the Fritz and Lavinia Jensen Foundation Vocal Competition. She has also won awards and recognition in the Metropolitan Opera National Council Auditions Illinois and Indiana Districts and Central Region as well as the San Diego District and Western Region, the Coeur d’Alene Symphony Competition, the Bel Canto Foundation Competition, and the Brava! Opera Theater Competition.

A native of Hawaii, Ms. Koontz earned her master’s degree in music from the Jacobs School of Music at Indiana University, where she studied with acclaimed soprano Carol Vaness, and received her bachelor’s degree in music from Northwestern University.

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