Visit Kira Dills-DeSurra's website at http://kiradillsdesurra.com

Kira Dills-DeSurra

The “nuanced singer and talented comedic stage actress” (San Diego Union-Tribune) Kira Dills-DeSurra is a vibrant American mezzo-soprano whose magnetic stage presence communicates effortless charm and authenticity. Dills-DeSurra cultivates skills in musical improvisation and circus arts as part of her broad-ranging palate of storytelling tools. 

A champion of new and rarely performed works, Dills-DeSurra has appeared in many American operas including The Three Feathers (Lori Laitman), Frida Kahlo and the Bravest Girl in the World (Joe Illick), After Life (Tom Cipullo), The Perfect American (Phillip Glass), and Cabildo (Amy Beach). 

Dills-DeSurra’s engagements in 2024 include singing the role of Lola in a concert version of Cavalleria Rusticana with the Helena Symphony; she will return in November 2024 to sing Hansel in the company’s fully staged production of Hansel and Gretel. Most recently Dills-DeSurra was seen captivating audiences as Cherubino in Le nozze di Figaro with Opera Idaho and performing as Lola in Cavalleria Rusticana with Opera Colorado. She also showcased her ‘’vocal and acting excellence’’ as the ‘’consistently hysterical’’(Marlowe’s Musings) Prince Orlofsky (Die Fledermaus) with Central City Opera. Previous roles with Central City include Zweite Dame (Die Zauberflöte), Mercédès (Carmen), and a soloist in Encore: A Musical Revue. 

As an artist with Opera Colorado, Dills-DeSurra has performed Mercédès, Rosina (Il barbiere di Siviglia), Flora (La traviata), Gertrude Stein (After Life), and Cherubino. She was also featured in touring productions as Stéphano (Roméo et Juliette), and Hansel. In 2022, she recorded the role of Lisette in Opera Colorado’s professional recording of Gerald Cohen’s Steal a Pencil for Me.   

With both Chicago Opera Theater and Long Beach Opera, Dills-DeSurra performed Vera Boronel in The Consul, Nurse and Secretary in Glass’s The Perfect American, Isolde of the White Hands in Frank Martin’s Le Vin Herbé, and Lysander (cover) in The Fairy Queen. Additional credits with Chicago Opera Theater include La Ciesca in Gianni Schicchi, Cecilio (cover) in Mozart’s Lucio Silla, and Mary in the Chicago premiere of Amy Beach’s Cabildo. Dills-DeSurra is a graduate of the Chicago Opera Theater Young Artist Program. 

A gifted singing actress with a wide range of repertoire, Dills-DeSurra performed Stéphano in Roméo et Juliette (Lorin Maazel’s Castleton Festival), Diana/Giove in Diana in La Calisto with Opera NEO, Chewy in the world premiere of Hand to Mouth (First Look Sonoma), and an Actress in Sir David McVicar’s production of Elektra (Lyric Opera of Chicago). She is a founding member of Forte Chicago, an all-female opera improv troupe with whom she collaboratively created and starred in four major productions. Dills-DeSurra’s love for comedic roles began with operetta. She has performed many Gilbert and Sullivan roles including The Fairy Queen in Iolanthe, the title character in Patience, Pitti-Sing in The Mikado, Mad Margaret in Ruddigore, and Casilda in The Gondoliers.   

Dills-DeSurra’s competition and award wins include National Finalist in the Classical Singer Music Vocal Competition, first place in the National Association of Teachers of Singing Competition, Chicago, first place in the Evanston Music Club/North Shore Musicians Club Competition, Metropolitan Opera National Council St. Louis District Encouragement Award, Central City Opera John Vivian Richard Award, and Central City Opera Guild Award. 

Originally from Petaluma, California, Dills-DeSurra earned both a Master of Music degree and Artist Diploma from Roosevelt University: Chicago College of Performing Arts and a Bachelor of Music degree from University of Southern California. 

May 2024

 

 

Current & Upcoming Performances

Upcoming Performance Schedule Coming Soon

Past Performances

Past Performance Schedule Coming Soon
PRINCE ORLOFSKY / DIE FLEDERMAUS / CENTRAL CITY OPERA
“Prince Orlofsky, a wealthy Russian, is portrayed by Kira Dills-DeSurra. This artist’s singing and acting of “Chacun a Son Gout” is just one example of her vocal and acting excellence. Her performance in this role is consistently hysterical, and more than a little bit bombastic. Her accent and comic timing magnificent!” – David Marlowe

PRINCE ORLOFSKY / DIE FLEDERMAUS / CENTRAL CITY OPERA
“We toast Dills-DeSurra’s stellar mezzo in “Chacun a son gout.”” – Colorado Drama

PRINCE ORLOFSKY / DIE FLEDERMAUS / CENTRAL CITY OPERA
“Prince Orlofsky played by Kira Dills-DeSurra in an inspired bit of casting and creative wiggery” – Onstage Colorado

DIANA / GIOVE IN DIANA / LA CALISTO / OPERA NEO
“Mezzo-soprano Kira Dills-DeSurra as Diana is both a nuanced singer and talented comedic stage actress” – Pam Kragen, The San Diego Union-Tribune 

DIANA / GIOVE IN DIANA / LA CALISTO / OPERA NEO
“I hope that mezzo-soprano Kira Dills-DeSurra is receiving double pay for singing with such panache the role of Diana as well as the trouser role of Jove disguised as Diana. Romancing Endimione, she floated fluttery, romantic serenades, but as Jove in disguise, she gruffly enticed the unsuspecting Calisto with a completely different timbre.” – Ken Herman, San Diego Story 

GERTRUDE STEIN / AFTER LIFE (TOM CIPULLO) / OPERA COLORADO
“The more ambitious After Life was sung capably by three of Opera Colorado’s talented group of apprentice Artists in Residence. Kira Dills-DeSurra looked the part as Stein [and] sang with passion and impeccable intonation. ” – Marc Shulgold, Opera News

FLORA / LA TRAVIATA / OPERA COLORADO
“As the good friend of Violetta, Kira Dills-DeSurra as Flora Bervoix does a fine job of offering a blend of style and comedy to the role.” – Jon Bee, Broadway World 

ZWEITE DAME / DIE ZAUBERFLÖTE / CENTRAL CITY OPERA
” The harmonies delivered by the Three Ladies (Tasha Koontz, Kira Dills-DeSurra and Melanie Ashkar), who follow Tamino throughout the opera, are nothing short of divine.” – David Marlowe, Theatre Reviews 

ZWEITE DAME / DIE ZAUBERFLÖTE / CENTRAL CITY OPERA
“Apprentice Artists Tasha Koontz, Kira Dills-DeSurra and Melanie Ashkar sang and acted the Three Ladies with aplomb and beautifully blending voices” – Charles Jernigan, Jernigan Opera Journal

ZWEITE DAME / DIE ZAUBERFLÖTE / CENTRAL CITY OPERA
“Apprentice artists Tasha Koontz, Kira Dills-DeSurra and Melanie Ashkar were pleasing in every way as the Three Ladies.” – Peter Alexander, Sharps and Flatirons 

ISOLDE OF THE WHITE HANDS / THE LOVE POTION / LONG BEACH OPERA
“Kira Dills-DeSura, who will be the Second Lady in Central City Opera’s presentation of Mozart’s “The Magic Flute” this summer, was a sweet-sounding Isolde-of-the-White-Hands who showed her innocence with creamy alto tones.” – Maria Nockin, Operawire 

ISOLDE OF THE WHITE HANDS / THE LOVE POTION / LONG BEACH OPERA
“As the evil Isolde of the White Hands (yes, there were two Isolde’s in the text sources Martin used), alto Kira Dills-DeSurra’s malevolence is carefully calibrated.” – Rick Schultz, LA Times 

VERA BORONEL / THE CONSUL / CHICAGO OPERA THEATER
“Kira Dills-DeSurra’s desperate Vera Boronel completed the cast with distinction.” – Mark Thomas Ketterson, Opera News 

VERA BORONEL / THE CONSUL / CHICAGO OPERA THEATER
“Kira Dills-Desurra as Vera Boronel was amusing in her paper-signing duet with the Secretary”
Lawrence A. Johnson, Chicago Classical Review / Read the Review

VERA BORONEL / THE CONSUL / LONG BEACH OPERA
“Every role is cast flawlessly, a rarity in opera.”
Tony Frankel, Stage and Cinema / Read the Review

MERCEDES / CARMEN / CENTRAL CITY OPERA
“The singers handled the French dialogue efficiently, showing fine command of the tricky ensemble demands of the smuggler’s quintet and card trio, in which Heidi Middendorf (Frasquita) and Kira Dills-DeSurra (Mercedes) performed flawlessly.”
Marc Shulgold, Opera News / Read the Review

MERCEDES / CARMEN / CENTRAL CITY OPERA
“Among the supporting cast, Heidi Middendorf and Kira Dills-DeSurra were delightfully engaging as Carmen’s friends Frasquita and Mercedes. “
Kelly Dean Hansen, Daily Camera Entertainment / Read the Review

LYSANDER (COVER) / ENSEMBLE / THE FAIRY QUEEN / CHICAGO OPERA THEATER
“Also covering the lead roles … mezzo-soprano Kira Dills-DeSurra …sang strongly and often very beautifully. In an ensemble of this size, the quality of each individual voice was apparent, and the young singers revealed themselves to be first-rate artists in the making. “
Joseph Newsome, Voix des Arts / Read the Review

ISOLDE OF THE WHITE HANDS / THE LOVE POTION / CHICAGO OPERA THEATER
“sang robustly and with well-blended cohesion”
Lawrence A. Johnson, Chicago Classical Review / Read the Review

LA CIESCA / GIANNI SCHICCHI / CHICAGO OPERA THEATER
“sung lustily and executed the complex ensembles flawlessly”
Bill Sweetland, Newcity Stage / Read the Review

STÉPHANO / ROMÉO ET JULIETTE / CASTLETON FESTIVAL
“There were strong performances throughout the supporting roles…Kira Dills-DeSurra as Stéphano, the young page of Roméo. “
Philip Kennicott, The Washington Post