Praised by The Miami Herald for his “commanding stage presence and a voice of seductive beauty,” baritone David McFerrin has won critical acclaim in a wide variety of musical genres.
David is a mainstay of the Boston opera scene and has performed on many other leading stages in the US and Europe. A former Emerging Artist with Boston Lyric Opera, he has sung numerous roles with the company, including Pallante in Handel’s Agrippina, Junius in Britten’s Rape of Lucretia, and The Officer in Glass’ two-character drama In the Penal Colony — a portrayal the Wall Street Journal hailed as “disturbingly eloquent.” In the 2019-20 season, Mr. McFerrin appeared as Joseph McCarthy in BLO’s East Coast premiere of Spears’ Fellow Travelers. Other recent performances include Aeneas in Purcell’s Dido and Aeneas with Handel and Haydn Society, Neptune in Caccini’s Alcina with Boston Early Music Festival, and Agamemnon in Offenbach’s La Belle Hélène with Odyssey Opera. David’s other opera credits include Florida Grand Opera, Santa Fe Opera, Seattle Opera, Boston Baroque, and the Rossini Festival in Wildbad, Germany, in roles such as Guglielmo in Così fan tutte, Taddeo in L’Italiana in Algeri, and the title role in Britten’s Noye’s Fludde.
In the 2022-23 season, David will perform as a baritone soloist in Handel’s Judas Maccabeus with Berkshire Choral International and Handel’s Messiah with the Helena Symphony. He will also sing the role of Thoas in Boston Baroque’s new production of Iphigénie en Tauride.
David’s concert engagements have ranged from Monteverdi’s Vespers of 1610 at St. Mark’s Basilica in Venice to various performances with the Boston Pops. He made his solo debut in Carnegie Hall with Gustavo Dudamel and the Israel Philharmonic, and has sung with the Cleveland Orchestra, North Carolina Symphony, and San Antonio Symphony. David has received notable acclaim for performances of baroque repertoire with ensembles including Handel and Haydn Society, the Bay Area’s American Bach Soloists, Cleveland’s Apollo’s Fire, New York’s TENET, Miami’s Seraphic Fire, and Arion Baroque Orchestra in Montreal. He has also appeared at the Tanglewood Festival, Carmel Bach Festival, and Casals Festival in Puerto Rico. His concert repertoire includes Bach’s St. John Passion, B Minor Mass, and Christmas Oratorio; Beethoven’s Missa Solemnis; Handel’s Messiah, Joshua, and Samson; Haydn’s Creation, Lord Nelson Mass, and Mass in Time of War; Vaughan Williams’ Dona Nobis Pacem and Five Mystical Songs; and the requiems of Brahms, Fauré, and Duruflé.
An avid recitalist and chamber musician, David has performed at the Caramoor Festival, the Steans Institute at the Ravinia Festival, New York Festival of Song, Five Boroughs Music Festival, SongFest, and completed four summer residencies at the Marlboro Music Festival in Vermont. He is an artist member of Music For Food, a volunteer, musician-led chamber music initiative started in Boston to fight hunger in the community. He also performs regularly with the renaissance vocal ensemble Blue Heron, whose recording of 16th-century English polyphony won the 2018 Gramophone award for Best Early Music Album.
Like all musicians over the past 2 years, David had many engagements cancelled or postponed due to the COVID-19 pandemic, including performances of Achilla in Giulio Cesare and Peter in Hansel and Gretel with Boston Lyric Opera. During this period, he was able to record virtual performances with a number of Boston-area ensembles, including Blue Heron, the Boston Pops, Handel & Haydn Society, and the role of Lucifero in Emmanuel Music’s production of Handel’s La Resurrezione.
David’s childhood in western Massachusetts was full of music: his choral director mother took him to her rehearsals in a bassinet. He started violin lessons at age five, joined a children’s choir, and spent his teenage years fitting orchestra, musical theatre and a capella group rehearsals around ultimate frisbee practices and outing club treks. A Phi Beta Kappa graduate of Carleton College in music and political economy, he earned graduate degrees at the Cincinnati College-Conservatory of Music and the Juilliard School. His awards include 2nd place in the Metropolitan Opera National Council New England Region, runner-up in the Oratorio Society of New York’s Lyndon Woodside Competition (the premier solo concert competition in the US), and a Richard F. Gold Career Grant from the Shoshana Foundation, given annually to promising young American singers. He recently moved from Boston to Natick, Massachusetts with his wife Erin (an architectural historian and preservation planner), their daughter Fiona, and black lab Holly.
Iphigenié en Tauride – Boston Baroque
“…the unfailingly versatile local baritone David McFerrin made a mighty Thoas…” – A.Z. Madonna, Boston Globe review of “Iphigenié en Tauride,” April 21, 2023
“As Thoas, David McFerrin was a menacing vocal presence. His singing in “De noirs pressentiments” boomed with frantic pleasure at the thought of appeasing the gods with human blood.” – Aaron Keebaugh, Arts Fuse review of “Iphigenié en Tauride,” April 21, 2023
Grant’s Burke and Hare – Boston Lyric Opera
“The two surgeons (the younger Dr. Ferguson, played by baritone David McFerrin and the elder Dr. Robert Knox, played by the luminous William Burden) played their roles, musically and dramatically, with a wonderful balance between theatrical exaggeration and ready-for-my-close-up intensity.” – Boston Musical Intelligencer review of Boston Lyric Opera’s “Burke and Hare,” November 11, 2017
Handel’s Giulio Cesare – Boston Baroque
“David McFerrin, as Ptolemy’s right-hand man Achillas, displayed a baritone of deft and appealing posture.” – Boston Globe review of Boston Baroque’s Julius Caesar, April 23, 2017
Glass’ In the Penal Colony – Boston Lyric Opera
“Ferreira and McFerrin both turned in excellent performances . . McFerrin’s ample baritone was darkly authoritative and impassioned. Both voices easily filled the space, and both singers brought impressive physicality to the performance.”
-Opera News review of Boston Lyric Opera’s In the Penal Colony, February 2016
“The disturbingly eloquent baritone David McFerrin”
-Wall Street Journal review of McFerrin’s portrayal of the Officer in Boston Lyric Opera’s In the Penal Colony,
November 18, 2015
“The outstanding pair of Neal Ferreira (Visitor) and David McFerrin (Officer) carried the show . . David McFerrin drilled through the Officer’s cinderblock vocal lines with unflinching conviction. The character was at first entirely emotionless and official, standing ramrod straight, but the Officer’s stunted, sadomasochistic psyche gradually exposed itself as McFerrin removed the layers of his space suit . . his voice took on notes of frightening desperation without losing an ounce of strength.”
– Boston Musical Intelligencer review of Boston Lyric Opera’s In the Penal Colony, November 13, 2015
“Ferreira and McFerrin are excellent . . the singers project such impeccable diction”
– WBUR Artery review of Boston Lyric Opera’s In the Penal Colony, November 12, 2015
McMillan’s Clemency – Boston Lyric Opera
“Neil Ferreira, Samuel Levine and David McFerrin, as the travelers, are somehow larger than life as a trio, and they manage MacMillan’s difficult part-writing with ease”
-Opera News review of the recording of Boston Lyric Opera’s Clemency, February 2015